Bill Cunningham

The Grand Budapest: A Reaction to Normcore

Today I read a fascinating article in NY Mag (that bastion of culture) about normcore. Normcore? You know, the latest trend that has everyone dressing like 24/7 sports fanatics, ignorant tourists, and male adolescents. Throw on a white shirt, whatever jeans are most readily available, and the now-pervasive Adidas sneakers that would have made you vomit like four months ago (that you hid when you had to play indoor soccer). You know, those illustrating the informed person’s response to all the contrived wannabees out there praying they walk down the street Bill Cunningham happens to frequent, Oscar Wilde’s millennial progeny, and those people who obviously can’t have a real job because if they did they would never have enough time to weld themselves together in the morning. Normcore to high fashion: we’re not pretending that haute couture is an effortless when it’s obvious to everyone it’s not (you’re probably wearing a Prada jacket). We don’t need the attention. We also happen to love Phoebe Philo.
Normcore:
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I find this all disheartening and rather ironic. Yes, normcore, you are now representing what is really “street style.” When I walk across campus this Winter, I am doing well to see someone who isn’t in knee length boots, jeans and a neutral jacket. Now, I am on a relentless search to find someone who doesn’t look like Nike’s next poster child any given Wednesday. On a similar note, I can appreciate Phoebe Philo like the rest of them and have nothing against comfortable, well-tailored clothing. But as I am constantly reminded that as a future lawyer I will need to confine myself to a neutral palate of revolving suits, I am inwardly disgusted. I also wonder in part if this Philo-esque appeal to homogeneity is a woman version of the grey flannel suit. It’s like if we contrive ourselves, or show individuality we can’t be taken seriously. I may be reading the situation wrong, but I don’t like that outcome. While I agree that clothing doesn’t make the woman (or give her power), I’d prefer AKRIS to Celine because I can have confidence to look like more than the carbon copy of the  contents in the next cubicle.
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I was talking to an aspiring architect the other day and I asked him why we should care what our buildings look like. He said What we create reflects the pride we take in ourselves as people. While I may not be totally on board with that rationale for buildings, I do think that my fashion sentiments lean in that direction. The whole contrived aspect of high fashion and NY street style does sometimes give me acid reflux. In a sense, I think fashion should feel effortless, because it is. Some people will still feel contrived because our imaginations are fearsome and wonderful factories of ingenuity. So yes, for those of you with no imagination or cares, normcore is probably just your style. But for those painstakingly attempting to look normal (and at such high prices?!?), you are nothing more than a troll.
We’re not all Isabella Blow or the Marchesa, Luisa de Casati, but we love them nonetheless because they were who they were. Yes, if they dressed normal it would be a fashion statement in itself, but I think everyone would be decidedly underwhelmed, not to mention bored. If the contrived aspects of fashion are being overdone, yes, there is no reason not to retreat to a more minimalistic approach, but normcore seems less like a creation and more like a bedraggled critique.
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Oh Marchesa, you kill me.

After G. K. Chesterton published Heretics, the Catholic church told him (basically): “Great. You’ve told us what’s wrong with the Catholic Church. So does everyone. It’s a lot harder to actually fix the problems.” In response, Chesterton published Orthodoxy, which laid out his solutions to the issues he originally championed. You can take that as moralistic, or just recognize that ol’ G. K. was a BAMF (for more see here). So in efforts to practice what I preach, I must admit that my latest ensemble (in preparation for The Grand Budapest Hotel) was nowhere in the vicinity of normcore. And like that noble edifice, probably far too decadent to survive in modern times.

IMG_6932Hat / necklace / gloves / earrings: Antiquing
Faux fur cape: Estate Sale
Lipstick: Chanel
Turtleneck: H&M
Tweed skirt: See by Chloe
Leggings (pulled down): Target
Shoes: Lanvin

 

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But just in case… I’ve made a polyvore collection of the crux of what I was wearing.
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But I have to admit it wasn’t all my imagination. I may have channeled someone….
Screen-Shot-2014-03-26-at-12.02.28-PMI’ve included a younger rendition of her costume. But then again, if you like the original, who can argue with FENDI fur?

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  1. On that note, I’ve been noticing a suspicious number of fur stoles on blogger’s sites this Spring. Is the pastel stole/ collar a thing?
  2. Also, what are your thought on normcore? Have I really gotten the whole thing wrong? Am I just another Saoirse “hating on” Miley?

The Social Sartorialist: Sweet Juxtaposition

My favorite fashion blog is The Sartorialist. For me, Scott Schuman is the epitome of street style (I still love you Bill Cunningham!). Not only are his pictures beautiful (and he self taught!), but he does a great job capturing the urban movement of fashion without entrenching his work on a series of repeated tropes. Well last week, the Sartorialist himself engaged in some shameless self promotion:

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 Of course, I immediately followed him @thesartorialist *wipes perspiration from brow* and the results have been highly amusing. In the midst of Super Bowl nugget platters, bathroom selfies, scratchy videos of dogs, and attempted landscapes, all the sudden this will pop up:
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Parisian boy. I cannot even handle you right now. Sigh. The charming juxtaposition of low culture and high culture is endlessly amusing to me. As I’m walking I will be checking my instagram and will find myself just blown away by the sheer power of the art. If this sounds like something you would enjoy, check it out yourself:
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Maybe one of these days, I’ll comment, but for now I suppose I will just resign myself to hanging out with Mr. Schuman in person….
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62039_1373285768436_1120530083_31776837_3276167_n 2 Yes this *is* actually me. We sorta go back…

As a fun tidbit, for those of you who don’t know, “sartorial” literally means “of or relating to tailoring, clothes, or style of dress.” It’s only used as an adjective in the English language, but Mr. Schuman is so talented, he actually has his own noun. Could this word creation make him the Shakespeare of fashion?

Netflix Fashion Documentaries: Part 1- TOP PICKS

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Over the winter break, I’ve been filling my spare time brushing up on the fashion industry by watching fashion documentaries. I’m about 7/8 of the way through all of the ones offered by Netflix on instant watch. Before you read further, I have to admit: I used these documentaries as a learning tool. When I started watching, I had no idea who or what Anna Wintour, Bergdorf Goodman, Bill Cunningham, and Pierre Bergé were. While I caught on quickly, it is something you might want to keep in mind when assessing my opinions. Also, if you think these films are just crass advertising schemes, you may be right… but it can’t hurt to do a bit of investigating.

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1. Scatter My Ashes at the Bergdorf

This documentary is just as magical as Bergdorf’s windows. It manages to cover every activity that goes on in the building: designer’s dreams, buyer’s expectations, personal stylists (or clothing wingmen as I like to think), the business’ history, and the circus feats behind the windows. These subjects are portrayed like chapters in a coffee table book, and the pictures are just as vivid. Instead of being a line-up of back-to-back interviews, the film aptly uses a series of mixed artistic approaches for demonstrations. You’ll have to watch it to see what I mean! The tone of the film is a catching excitement, and with good reason, there is something Bergdorf Goodman that is just undeniably fabbbulous. A parting thought from David Hoey, the senior director of visual presentation:

“I’m not afraid of the term “window dresser.” Most window people will not say that. They’ll call themselves visual merchandisers or something grandiose like that. But I mean, why not use the more modest term and then go way overboard and with the windows?”

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  • Covers multiple facets of the Bergdorf, fully satisfying viewer’s curiosity
  • Visually pleasing, would almost say stunning
  • You get to peek into the basement where they keep all their stock of curiosities that they use in their Christmas windows!
  • 4F approval rating.

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2. Bill Cunningham: New York

Bill Cunningham is a refreshing enigma in the world of fashion. He eats at cheap cafes, wears the same iconic outfit every day, and tapes up his poncho to avoid spending a further dollar. But before I spoil all the delicious surprises of this documentary, I have to say that even after an hour and a half, I was still totally enthralled watching this man bike back and forth from event to event. Get some rest Bill Cunningham! Or better yet, come to Georgia, and get in my life! If you like character studies, this is the documentary for you.

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  • Bill Cunningham is charming.
  • Even Anna Wintour thinks so.
  • An insightful look into the New York Times Fashion page and the rise of Street Style
  • Favorite Fact: our boy is on bike 39, because the last 38 were stolen!?!?
  • 4F approval rating

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3. The Tents

This is a must-see for those interested in the emergence of the American fashion industry. It also is a great showcase into the mind of designers and the volatile nature of the game. Lots of good old footage is spliced alongside modern perspectives. It’s almost a celebration of hindsight.

  • Lots of great interviews.
  • Instrumental for those seeking to put designer names with their faces.

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  • Very informative about the New York/ American fashion scene and its growth into today’s industry.
  • Neg: over-steeped in nostalgia
  • 3F rating

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4. L’Amour Fou

I liked this documentary, but it wasn’t what I thought it was going to be. More than focusing on YSL or his relationship with Pierre Bergé, its focal point was the auction surrounding their house after YSL’s death. It didn’t hurt that the house was full of stunning cultural artifacts. But rather than reminiscing on relics, I was hoping for a bit more insight into YSL the man. One you concede that expectation, the film makes for a pleasant viewing experience.

  • An overview of YSL from his closest confidantes
  • Someone has excellent taste in decorating homes, whether France or Morocco.
  • it goes a little slow…
  • Neg: get ready for subtitles
  • 3F approval

(a few pictures more just for kicks)

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